Austin360 blogs > Austin Arts: Seeing Things > Archives > 2010 > January > 11 > Entry
Monday, January 11, 2010, 10:07 AM
There’s a reason Richard Strauss’ Deutsche Motette isn’t frequently performed. Though only about 20 minutes in length, it’s a sprawling late romantic symphony for voices, dense in its musical imagery and staggering in its complexity with some 16 vocal parts.
Leave it to Austin choir Conspirare — which just received its fifth Grammy nomination — to make stunning work of Strauss’ stunning Motette, the marquee piece of a concert Saturday night at the acoustically fine St. Martin’s Lutheran Church.
Rich in impressionistic nuance, the Motette awes with its spectacle — particularly its astonishing harmonic shifts. And Conspirare’s genius at singing as one voice while also allowing enough space of each singer’s own voice to shine through made for much clarity and emotional resonance.
If there was a theme to the program selected by Conspirare founder and artistic director Craig Hella Johnson, perhaps it was musical complexity.
Before unleashing the Strauss, Johnson and the choir pulled off Bach’s motet Singet dem Herrn ein neues Lied with aplomb, deftly maneuvering through Bach’s rich and intriguing wave of counterpoint.
Balancing the mighty weight of the Bach and the Strauss were a selection of Brahms’ romantic Leibeslieder Waltzes, stylishly sung. And as a delightful detour, Johnson threw in ‘My Little Green Cactus,’ a jumpy 1920s tune sung in the a capella style of the Comedian Harmonists, an all-male German close harmony ensemble that was one of the more successful pre-World War II groups. As cute as it was, the song really just re-enforced what the rest of the program made clear: That Conspirare continually demonstrate superb control and dexterity as a choir, no matter the repertoire.
Later this month, Johnson and Conspirare will go up for their fifth Grammy nomination, this time for Best Classical Crossover Album, competing against the likes of Yo Yo Ma. That an Austin non-profit musical organization even has the chops to even compete against a classical music icon —and commercial juggernaut — like Ma is impressive. Then again, Conspirare has the voice that roars, sublimely.
