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♦ Concert, Symphony Hall
♦ VIP PACKAGE: Concert with Exclusive Post-Concert Reception, Symphony Hall
“This performance stabbed me with the beauties of healing, love, and unified creation. This work lifts us to deal with imponderables and reminds us that human potentiality is the least understood and most squandered resource on earth. Too often we attach value to things man does, but not what man is. We have national anthems, but no anthems for humanity. Man’s achievements and power are heralded, but the preciousness of life is unsung. No longer… thanks to the artistry of Craig Hella Johnson and Conspirare.”
Matthew Shepard was a young, gay college student at the University of Wyoming who in October 1998 was kidnapped, severely beaten, tied to a fence and left to die in a lonely field under a blanket of stars. When Shepard passed away, five days later, an offended world looked on. Since that mournful month, Craig Hella Johnson has had a strong inner desire to respond musically. The result is Considering Matthew Shepard. Craig Hella Johnson’s concert-length masterwork will continue touring and will be filmed at Austin’s Moody Theatre in partnership with KLRU.
01.29.17 (7:30pm), Sunday
01.30.17 (7:30pm), Monday
Rudder Theatre, Texas A&M University
401 Joe Routt Blvd., College Station, TX
TICKETS through Texas A&M
Sponsored by MSC L.T. Jordan Institute for International Awareness and MSC OPAS
Coverage in theeagle.com (Brian-College Station, TX)
02.01.17 (7:30pm), Wednesday
310 W. Willie Nelson Blvd., Austin, TX
Live taping in collaboration with KLRU-TV for a PBS Special
KLRU Press Release 01.11.17
02.05.17 (3pm), Sunday
Presented in partnership with Berklee College of Music and Boston Conservatory at Berklee
Boston Press Release
Attend the exclusive post-concert reception in Symphony Hall by purchasing VIP tickets to the concert ($100)
02.04.17 (9:30am-4pm), Saturday
Boston Day of Reflection: Creating a More Caring and Just Community
Conspirare’s Considering Matthew Shepard project page
Artists PerformingConspirare Singers
- Mela Dailey
- Melissa Givens
- Estelí Gomez
- Julie Wittington McCoy
- Gitanjali Mathur
- Stefanie Moore
- Kathlene Ritch
- Sonja DuToit Tengblad
- Shari Alise Wilson
- Sarah Brauer
- Janet Carlsen Campbell
- Helen Karloski
- Melissa Marse
- Laura Mercado-Wright
- Keely J. Rhodes
Introduction from OCTOBER MOURNING: A SONG FOR MATTHEW SHEPARD by Lesléa Newman
On Tuesday, October 6, 1988, at approximately 11:45 p.m., twenty-one-year-old Matthew Shepard, a gay college student attending the University of Wyoming, was kidnapped from a bar by twenty-one-year old Aaron McKinney and twenty-one-year-old Russell Henderson. Pretending to be gay, the two men lured Matthew Shepard into their truck, drove him to the outskirts of Laramie, robbed him, beat him with a pistol, tied him to a buck-rail fence, and left him to die. The next day, at about 6:00 p.m. – eighteen hours after the attack – he was discovered and taken to a hospital. He never regained consciousness and died five days later, on Monday, October 12, with his family by his side.
One of the last things Matthew Shepard did that Tuesday night was attend a meeting of the University of Wyoming’s Lesbian, Gay, Bisexual, and Transgendered Association. The group was putting final touches on plans for Gay Awareness Week, scheduled to begin the following Sunday, October 11, coinciding with a National Coming Out Day. Planned campus activities included a film showing, an open poetry reading, and a keynote speaker.
That keynote speaker was me.
I never forgot what happened in Laramie, and around the tenth anniversary of Matthew Shepard’s death, I found myself thinking more and more about him. And so I began writing a series of poems, striving to create a work of art that explores the events surrounding Matthew Shepard’s murder in order to gain a better understanding of their impact on myself and the world.
What really happened at the fence that night? Only three people know the answer to that question. Two of them are imprisoned, convicted murderers whose stories often contradict each other (for example, in separate interviews both McKinney and Henderson have claimed that he alone tied Matthew Shepard to the fence). The other person who knows what really happened that night is dead. We will never know his side of the story.
This book is my side of the story.
While the poems in this book are inspired by actual events, they do not in any way represent the statements, thoughts, feelings, opinions, or attitudes of any actual person. The statements, thoughts, feelings, opinions, and attitudes conveyed belong to me. All monologues contained within the poems are figments of my imagination; no actual person spoke any of the words contained within the body of any poem. Those words are mine and mine alone. When the words of an actual person are used as a short epiraph for a poem, the source of that quote is cited at the back of the book in a section entitled “Notes,” which contains citations and suggestions for further reading about the crime. The poems, which are mean tto be read in sequential order as one whole work, are a work of poetic invention and imagination: a historical novel in verse. The poems are not an objective reporting of Matthew Shepard’s murder and its aftermath; rather they are my own personal interpretation of them.
There is a bench on the campus of the University of Wyoming dedicated to Matthew Shepard, inscribed with the words He continues to make a difference. My hope is that readers of October Mourning: A Song for Matthew Shepard will be inspired to make a difference and honor his legacy by erasing hate and replacing it with compassion, understanding, and love.
OCTOBER MOURNING: A SONG FOR MATTHEW SHEPARD. Copyright © 2012 by Lesléa Newman. Reproduced by permission of the publisher, Candlewick Press, Somerville, MA.